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Category Archives: Docufiction

John Charet’s Take On: Ken Russell at the BBC (1959-1970) – An Introduction

13 Wednesday Feb 2019

Posted by John Charet in 1960's Cinema, 1970's Cinema, Biography, British Cinema, British Filmmakers, Docufiction, Documentary, Film Directors, Ken Russell, Music, Television, Uncategorized

≈ 28 Comments

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Ken Russell

Originally, I was going to post a review on another film, but I am currently suffering from a case of writer’s block on that right now. In the meantime and in an attempt to get my mojo back (so I can finish that review), I am going to post reviews on something a little more simpler, but no less complex. In this case, a series of TV bios on famous composers (among other types of giants).  

 

When anybody hears the name Ken Russell (1927-2011), the first words that come to mind are either flamboyant or controversial. A majority of the time, one could say that both terms can apply to him all at once. According to wikipedia’s entry on legendary British filmmaker Ken Russell (read here), these are at least two proper descriptions that can be applied to him. Nevertheless, let us rewind the clocks back to 1959 – 10 years prior to his 1969 breakthrough film Women in Love – a critically acclaimed adaptation of D.H. Lawrence’s equally controversial 1920 novel of the same name. From 1959 to 1970, Russell made documentaries/docudramas on celebrated composers (among other figures) for the British Broadcasting Corporation (a.k.a. the BBC – read here). He directed at least 22 of them for Monitor (1959-1965) and 3 of them for it’s official/unofficial successor Omnibus (1967-1970). In between his last for Monitor (Always on Sunday) and his first for Omnibus (Dante’s Inferno), Russell contributed one for BBC’s Sunday Night (Don’t Shoot the Composer) and another as a stand-alone TV film (Isadora Duncan, the Biggest Dancer in the World) in 1966. The following year, he would helm his second feature film (his first was the 1964 comedy French Dressing) entitled Billion Dollar Brain – a British Spy thriller for the American-based studio United Artists. Two days after Billion Dollar Brain’s American premiere (December 20, 1967 – read here), Dante’s Inferno (Russell’s first for Omnibus) premiered for UK television viewers on December 22 of that same year. Based on my calculations alone (read here), Russell directed at least 27 television bios for the BBC. Out of the 27, only 6 of them (at least to my knowledge) are available for home viewing in North America. They are in a 2008 DVD collection entitled Ken Russell at the BBC (read here). The available titles are: Elgar (1962), The Debussy Film (1965), Always on Sunday (1965), Isadora Duncan, the Biggest Dancer in the World (1966), Dante’s Inferno (1967) and Song of Summer (1968). The first three were for Monitor and the last two were for Omnibus. As I mentioned earlier, Isadora Duncan was a stand-alone TV film for the BBC. Russell’s last work for Omnibus during this period entitled Dance of the Seven Veils is not included in the box set. That last title incited a huge ton of controversy due to it’s portrayal of famed German composer Richard Strauss (1864-1949) as either a Nazi or Nazi sympathizer (read here). This angered the Strauss family so much that they withdrew the music rights for it. Apparently, the ban expires sometime this year in 2019 (read here).  Currently, the only way one can watch it is on a faded print posted on youtube.

Famed U.S. film critic Pauline Kael (1919-2001) once said of late master filmmaker Robert Altman, that he could make film fireworks out of next to nothing (read here). This sentiment can also be applied to that of director Ken Russell. Compared to Russell’s more outrageous later work (The Music Lovers, The Devils and Lisztomania to name just a few), the style of his early television films may initially come off as subdued on the surface. Deep down though, each of the available six films prove to be every bit as radical (albeit different) to those previously mentioned titles. Even with their low-budgets, Russell amazingly managed to break the rules on what was widely accepted within the documentary format. Instead of traditionally relying on still photographs and old film footage alone to tell his story, Russell would not only dramatize it through a re-enactment, but he would also (in the case of Elgar) use different actors to portray the lead character as he/she ages (read here and here). And this only marks just one of Russell’s many talents at successfully making the most out of very little.

My full review of Elgar – the first of director Ken Russell’s six films in the aforementioned 2008 DVD collection  – should be up sometime by tomorrow.

My Favorite Orson Welles Films

02 Sunday Sep 2018

Posted by John Charet in 1940's Cinema, 1950's Cinema, 1960's Cinema, 1970's Cinema, American Cinema, American Filmmakers, British Cinema, Cinema, Crime, Docufiction, Documentary, Drama, Film Directors, Film Noir, French Cinema, German Cinema, Greatest, History, Iranian Cinema, Italian Cinema, Lists, Mystery, Orson Welles, Short Cinema, Spanish Cinema, Swiss Cinema, Television, Thriller, Top 306, War

≈ 10 Comments

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Around the World with Orson Welles (Television), Chimes at Midnight, Citizen Kane, F for Fake, Filming Othello, Macbeth 1948, Mr. Arkadin, Othello 1951, The Fountain of Youth, The Immortal Story, The Lady from Shanghai, The Magnificent Ambersons, The Stranger, The Trial, Touch of Evil

* * * * (Out of * * * *)

1.   Chimes at Midnight (1965)

2.   F for Fake (1973)

3.   Othello (1951)

4.   The Magnificent Ambersons (1942)

5.   The Other Side of the Wind (2018)

6.   The Trial (1962)

7.   The Lady from Shanghai (1947)

8.   Touch of Evil (1958)

9.   Citizen Kane (1941)

10. Mr. Arkadin (1955)

11. The Immortal Story (1968)

12. Filming Othello (1978)
(Documentary)

13. Macbeth (1948)

14. The Stranger (1946)

* * * * (Out of * * * *) (Short Cinema)

1.   The Fountain of Youth (1956)
(I watched it on youtube)
(Television)

2.   Around the World with Orson Welles (1955)
2a. Episode: “Pays Basque I (The Basque Country)”
2b. Episode: “Pays Basque II (La Pelote basque)”
2c. Episode: “Revisiting Vienna” (a.k.a. “The Third Man Returns to Vienna”)
2d. Episode: “St. -Germain-des-Pres”
2e. Episode: “Chelsea Pensioners”
2f. Episode: “Madrid Bullfight”
(Television)

Note: In case any of you readers are interested, Netflix is going to premier Orson Welles last film The Other Side of the Wind (1972-1976) in November (November 2, 2018). The film can best be described as both completed and uncompleted (read here for more info). Here is the link to the trailer in case any of you readers are interested below 🙂

My Favorite Apichatpong Weerasethakul Films

02 Sunday Sep 2018

Posted by John Charet in 2000's Cinema, 2010-Present Cinema, Apichatpong Weerasethakul, Cinema, Docufiction, Documentary, Drama, Fantasy, Film Directors, Greatest, Lists, Romance, Thai Cinema, Thai Filmmakers

≈ 2 Comments

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Blissfully Yours, Cemetery of Splendour, Mysterious Object at Noon, Syndromes and a Century, Tropical Malady, Uncle Boonmee Who Can Recall His Past Lives

* * * * (Out of * * * *)

1.   Syndromes and a Century (2006)

2.   Cemetery of Splendour (2015)

3.   Tropical Malady (2004)

4.   Blissfully Yours (2002)

5.   Mysterious Object at Noon (2000)

6.   Uncle Boonmee Who Can Recall His Past Lives (2010)

My Favorite Roberto Rossellini Films (Revised and Updated)

23 Wednesday Mar 2016

Posted by John Charet in 1940's Cinema, 1950's Cinema, 1960's Cinema, 1970's Cinema, Biography, Cinema, Docufiction, Drama, Film Directors, German Cinema, Greatest, History, Lists, Roberto Rossellini, Romance, Television, Top 100, War

≈ 1 Comment

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Cartesius, Europe '51, General della Rovere, Germany Year Zero, Journey to Italy, Paisan, Rome Open City, Stromboli, The Age of the Medici, The Flowers of St. Francis, The Taking of Power by Louis XIV

* * * * (Out of * * * *)

1.   Journey to Italy (1954)

2.   Stromboli (1950)

3.   Paisan (1946)

4.   The Flowers of St. Francis (1950)

5.   Germany, Year Zero (1948)

6.   The Taking of Power by Louis XIV (1966) (TV Film)

7.   Rome, Open City (1945)

8.   Europe ’51 (1952)

9.   The Age of the Medici (1973) (TV Mini-Series)

10. General Della Rovere (1959)

11. Blaise Pascal (1972) (TV Film)

12. Cartesius (1974) (TV Film)

 

My Favorite Francesco Rosi Films (New)

23 Wednesday Mar 2016

Posted by John Charet in 1960's Cinema, 1970's Cinema, 1980's Cinema, 1990's Cinema, Biography, Cinema, Crime, Docufiction, Drama, Film Directors, Francesco Rosi, Greatest, History, Italian Cinema, Italian Filmmakers, Lists, Music, Mystery, Thriller, Top 100, War

≈ Leave a comment

Tags

Carmen 1984, Christ Stopped at Eboli, Hands over the City, Lucky Luciano, Many Wars Ago, Salvatore Giuliano, The Moment of Truth, The Palermo Connection, The Truce, Three Brothers

* * * * (Out of * * * *)

1.   Three Brothers (1981)

2.   Salvatore Giuliano (1962)

3.   Christ Stopped at Eboli (1979)

4.   Hands over the City (1963)

5.   The Moment of Truth (1965)

6.   The Truce (1997)

7.   Carmen (1984)

8.   Many Wars Ago (1970)

9.   Lucky Luciano (1974)

* * * 1/2 (Out of * * * *)

1.   The Palermo Connection (1989)

Note: Some of these I have seen on DVD and ones that are not on Blu-Ray and DVD I have seen on VHS. I have not seen The Mattei Affair but that is because it is not available on either Blu-Ray and DVD or VHS. I have heard great things about it though and since Francesco Rosi died last year, I am hoping that filmmakers or film historians who loved his work will try to get The Mattei Affair available in the USA on either Blu-Ray and DVD or VHS since that one seems to be one of his many highly celebrated films. 

My Favorite Robert J. Flaherty Films (New)

17 Thursday Sep 2015

Posted by John Charet in 1920's Cinema, 1930's Cinema, 1940's Cinema, 1950's Cinema, Adventure, American Cinema, American Filmmakers, Cinema, Curt Oertel, Docufiction, Documentary, Drama, German Cinema, Greatest, Lists, Robert J. Flaherty, Robert Lyford, Top 100

≈ 1 Comment

Tags

Louisiana Story, Man of Aran, Moana 1926, Nanook of the North, The Titan: Story of Michelangelo

* * * * (Out of * * * *)

1.   Louisiana Story (1948)
(Docufiction)

2.   Nanook of the North (1922)
(Documentary)

3.   Man of Aran (1934)
(Docufiction)

4.   Moana (1926)
(Docufiction)
(No relation to the 2016 Disney film)

5.   The Titan: Story of Michelangelo (1950)
(Co-directed with Curt Oertel and Robert Lyford)
(Documentary)

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