-A Few Words Before Reading-
Please be kind to the film at number 9. Any comment expressing negativity towards number 9 will be deleted. So once again, please be polite 🙂
-Introduction-
First off, before I continue, I would like to wish all of my dear readers a very Happy St. Patrick’s Day 🙂 Anyway, all of the films listed here are great films that I love to watch near or on St. Patrick’s Day. Most of these do not hail from Ireland, but they do have a hint of Irish flavor to them.
Click here to listen to The Irish Rovers Goodbye Mrs. Durkin
Click here to listen to The Irish Rovers Black Velvet Band
Click here to listen to their entire album
Click here to listen to The Dubliners Molly Malone
Click here to listen to their entire album
Now without further ado, I present to all of my dear readers:
-John Charet’s 8 Films Recommended for St. Patrick’s Day Viewing-
(In Chronological Order)
1.) Odd Man Out (1947)
Dir: Carol Reed
Country: United Kingdom
Color: Black and White
While The Third Man will always remain director Carol Reed’s crowning achievement (or at least for me), Odd Man Out has to at least rank as second best for most people like myself. Set over the course of one night, Odd Man Out is a tightly constructed British film noir rich in suspense. Robert Krasker’s expressionistic cinematography is as much a creative dress rehearsal for his work on The Third Man as it is masterful in it’s own right. Odd Man Out is also a reported favorite of directors Roman Polanski and Sam Peckinpah (read here and here).
Click here to watch the entire film
I can’t find a link to the film’s original theatrical trailer
2.) The Quiet Man (1952)
Dir: John Ford
Country: United States
Color: Color
While I am unsure whether The Quiet Man would rank somewhere within my top 10 favorite John Ford films (I love every single one), it is undeniably one of his most personal films, made evident by the director’s Irish heritage (read here). Along with Wake of the Red Witch, The Quiet Man was one of the very few big-budget projects ever financed by Republic Pictures, a studio that regularly specialized in B-films. What we get is a highly entertaining period piece doubling as a romanticized depiction of Ireland in all it’s Technicolor glory. Last, but not least, The Quiet Man is justifiably celebrated for a long climactic fight sequence that is every bit as humorous as it is exciting.
Click here to watch a 1992 making of hosted by Leonard Maltin
Click here to watch a 1991 documentary on The Quiet Man from Irish television (or at least I believe)
Click here to watch a documentary entitled Memories Of The Quiet Man. Though I am not sure when it came out
Click here to watch part 1 of 2 of a tour of The Quiet Man locations
Click here to watch part 2 of 2 of a tour of The Quiet Man locations
Click here to watch Irish actor Gabriel Byrne talking about The Quiet Man from 2011
Click here to view a trailer for the 2010 documentary entitled Dreaming The Quiet Man
Click here to view the film’s original theatrical trailer
3.) Duck, You Sucker! (1971)
(a.k.a. A Fistful of Dynamite)
Dir: Sergio Leone
Country: Italy/United States
Color: Color
Often overlooked in favor of his more popular Once Upon a Time in the West or The Good, the Bad and the Ugly, Duck, You Sucker! proves to be every bit as masterful as director Sergio Leone’s other spaghetti westerns, which include those first two aforementioned titles. In fact, Duck, You Sucker! is actually my personal favorite of Leone’s westerns. Part of it lies in it’s historical backdrop of the Mexican Revolution (1910-1920) and as a self-proclaimed cinephile, it’s presence has always fascinated me. The other half is rooted in the theme of friendship and along with Once Upon a Time in America, Duck, You Sucker! may be Leone’s most insightful take on it. Leone’s flair for exhilarating set pieces and celebrated composer Ennio Morricone’s distinctive music score serve as the icing on the cake.
Click here to watch the film’s original theatrical trailer
Click here to watch the entire film
Click here to listen to Ennio Morricone’s complete music score for the film
4.) Barry Lyndon (1975)
Dir: Stanley Kubrick
Country: United Kingdom/United States
Color: Color
2001: A Space Odyssey is often considered legendary director Stanley Kubrick’s magnum opus, but some cinephiles usually opt for a different title. Whenever somebody asks me what my personal favorite Kubrick film is, my answer is Barry Lyndon. Indifferently received by both critics and audiences during it’s initial theatrical release in 1975, Barry Lyndon (like most of Kubrick’s films) has since been reassessed as a cinematic masterpiece. Based (loosely or otherwise) on William Makepeace Thackeray’s picaresque novel The Luck of Barry Lyndon (first published as a serial in Fraser’s Magazine in 1844), Barry Lyndon is the closest Kubrick ever came to creating a period piece akin to his unrealized ambitious Napoleon Bonaparte biopic. Set during the 18th century, Barry Lyndon chronicles the misadventures, eventual rise and inevitable fall of an Irish rogue. Not unlike 2001, Barry Lyndon remains a technically groundbreaking film. To achieve authenticity for it’s respective period setting, Kubrick relied (for the most part) on natural lighting for the exterior and interior shots (candlelight for the latter) courtesy of cinematographer John Alcott. Humorous, tragic and characteristically thought-provoking, Barry Lyndon may just be the most mature film in Kubrick’s oeuvre.
Click here to watch an analysis of the film from youtube user Empire of the Mind (click here to view his channel)
Click here to view the film’s original theatrical trailer
Click here to view a 2016 BFI trailer for it
Click here to watch a video about Kubrick’s unrealized Napoleon Bonaparte epic uploaded by youtuber Frame Voyager (click here to check out his channel)
Click here to watch other video about it
Click here to read this Amazon link to a 2011 massive book that fully details Kubrick’s vision and given the size of it, no wonder the price tag is heavy 🙂
5.) The Dead (1987)
Dir: John Huston
Country: United Kingdom/United States/West Germany
Color: Color
If anything else, The Dead not only resembles the work of a seasoned veteran, but also that of a born-again director. For his intended or unintended swan song, Huston adapts James Joyce’s title story that first appeared in the aforementioned celebrated author’s 1914 book of shorts entitled Dubliners. Huston’s refined touch fits perfectly with the elegantly written drama, which is penned by his son Tony. The result is every bit as intimate as it is profound.
Click here to watch the film’s original theatrical trailer
6.) Miller’s Crossing (1990)
Dir: Joel Coen
Country: United States
Color: Color
If it weren’t for A Serious Man, Miller’s Crossing would be my number one favorite Coen Brothers film of all time. On the surface, Joel and co-writer Ethan borrow elements from hard-boiled crime novels and similar films to blend them together within it’s atmosphere. The former consists of works written by Dashiell Hammett (Red Harvest and The Glass Key), while films like The Third Man, Le Doulos, The Conformist and The Godfather make up the latter (read here). While the result most certainly works as a highly effective pastiche, Miller’s Crossing is so much more than that. In the center, Miller’s Crossing emerges as a bona fide gangster classic in it’s own right. As with all of their work, when it comes to characters, dialogue and direction, The Coen Brothers trademark quirkiness is evident in every single frame of Miller’s Crossing. Carter Burwell’s Irish influenced music score fits perfectly with the film’s late 1920’s period setting.
Click here to watch cinematographer turned director Barry Sonnenfeld discussing his experiences as director of photography on the film
Click here to watch an interview with actor Gabriel Byrne conducted by the late Bobbie Wygant
Click here to watch an interview with actor John Turturro conducted by Wygant
Click here to watch an interview with actress Marcia Gay Harden conducted by Wygant
Click here to watch an interview with actor Jon Polito conducted by Wygant
Click here to view the film’s original theatrical trailer
Click here to listen to Carter Burwell’s music for the film
Click here to listen to the song Danny Boy sung by Frank Patterson. This song appears when Albert Finney’s character is defending himself with a Tommy Gun and bumps off two rival gangsters with it (click here to watch the scene)
7.) The Fugitive (1993)
Dir: Andrew Davis
Country: United States
Color: Color
As an Illinoisan, I have a habit of making sure I watch The Fugitive at least once a year during the month of March. This is not only rooted in the fact that it was shot on location in the city of Chicago (at least for the most part) or that it’s director (Andrew Davis) and lead star (Harrison Ford) proudly hail from there, but also serving as the only film (or at least based on my knowledge) to feature the aforementioned city’s tradition of dyeing the Chicago River green for St. Patrick’s Day (read here). Based (loosely or otherwise) on Roy Huggins 1960’s television series of the same name, which ran from 1963-67, The Fugitive is an expertly crafted chase thriller highlighted by it’s atmospheric Chicago locations. Ford is truly effective as the wrongfully accused Dr. Richard Kimble, but the standout is Tommy Lee Jones as Samuel Gerard, the Deputy US Marshall on his trail.
Click here to watch an interview director Andrew Davis did late last year promoting his debut novel (co-written with Jeff Biggers) entitled Disturbing the Bones, which is a great read. Legendary director Michael Mann (also born and raised in Chicago) gave it a positive blurb (read here)
Click here to watch a 1993 interview with him conducted by the late Bobbie Wygant
Click here to watch a 2013 documentary on it entitled The Fugitive: Thrill of the Chase
Click here to watch a 2001 short documentary entitled On the Run with The Fugitive
Click here to watch another 2001 short documentary entitled Derailed: Anatomy of a Trainwreck
Click here and here to watch two respective trailers for the film
Since I have endless links on Davis, just click here to watch them all 🙂
8.) The Wind That Shakes the Barley (2006)
Dir: Ken Loach
Country: Ireland/United KIngdom/Italy/Germany/France/Spain/Switzerland
Color: Color
In The Wind That Shakes the Barley, British director Ken Loach takes his knack for social realism and applies it to both the Irish War of Independence (1919-21) and the Irish Civil War (1921-23). Limited to 21st century cinema alone, the result still stands out as the best drama centering on the two subjects as of 2025. Cinematographer Barry Ackroyd’s gritty cinematography goes hand in hand with Loach’s firm socialist sensibilities. In fact, the scene featuring Damien O’Donovan (Cillian Murphy) telling his brother Teddy (Padraic Delaney) that he will never sell out debatably parallels that of Loach’s own uncompromising political philosophies. Ever the dissenting Brit, Loach (along with screenwriter Paul Laverty) pulls no punches in depicting the traditionally heroic British Army as a pack of sadists. Unsurprisingly, this aspect was part of the film’s controversy (read here). Would you all like to hear another interesting piece of trivia? At the 2006 Cannes Film Festival, The Wind That Shakes The Barley won Loach the coveted Palme d’Or prize.
Click here to watch the film’s original theatrical trailer
9.) The Irishman (2019)
Dir: Martin Scorsese
Country: United States
Color: Color
As much as I love Goodfellas, for me, it is The Irishman that stands out as esteemed filmmaker Martin Scorsese’s crowning achievement. Helmed when Scorsese was at the age of 74 going on 75, The Irishman represents a culmination of his trademark themes that originated in his electrifying 1973 breakthrough Mean Streets. On the surface, when it comes to form and content, The Irishman is as fast-paced as Goodfellas. Simultaneously, in the center, The Irishman moves so gracefully that it makes that 1990 classic look like the work of a 27-28 year-old director as opposed to that of a then 46 year-old by comparison. In contrast to the black comedy of that earlier masterwork, The Irishman relies on subtlety for it’s humor. Taking into account the film’s overall somber tone, a very credible argument can be made that The Irishman comes off as Scorsese’s way of reflecting on his past crime films. Thematically speaking, If Goodfellas centered on loyalty and Casino centers on greed, than The Irishman is about mortality and regret. The film’s use of The Five Satins In the Still of the Night serves as further confirmation of this. The result is unquestionably the most mature of Scorsese’s crime dramas. If anything else, The Irishman serves as the perfect epitaph for the subgenre. In closing, The Irishman ranks as my second favorite gangster film of all time after Howard Hawks Scarface.
Click here to watch an insightful analysis on The Irishman by youtuber Why It’s Great (Click here to view his channel)
Click here to watch another insightful analysis on The Irishman by youtuber Renegade Films (Click here to view his channel)
Click here to watch the film’s Official teaser trailer
Click here to watch the film’s Original theatrical trailer
Click here to watch the film’s final trailer
10.) The Banshees of Inisherin (2022)
Dir: Martin McDonagh
Country: United Kingdom/United States
Color: Color
British-Irish playwright and film director Martin McDonagh’s The Banshees of Inisherin serves as only one of many perfect examples of how to define a tragicomedy. Delightfully misanthropic, the key to understanding The Banshees of Inisherin’s hilarity is rooted in the more absurd aspects of the human condition. For example, the film’s central plot centers on aspiring music composer Colm Doherty (Brendan Gleeson) needlessly ending his friendship with drinking buddy Padraic Suilleabhain (Colin Farrell). When every single one of his efforts at repairing the relationship is declined by Colm, Padraic starts a feud that leads to horrifying results for the both of them. Similar to the American cult sitcom It’s Always Sunny in Philadelphia, The Banshees of Inisherin relies on irony to execute it’s humor. In the case of The Banshees of Inisherin, the beautiful Irish scenry stands in contrast to the film’s overall irreverent tone. Thematically speaking, The Banshees of Inisherin may just be McDonagh’s richest film to date.
Click here to watch the film’s original theatrical trailer
Let me conclude this blog entry with two questions for my dear readers below:
What are some of your favorite films to watch during St. Patrick’s Day?
What links or videos were your favorites?
Oddly enough perhaps, as an Irishman myself, I don’t tend to watch Irish themed movies on St Patrick’s Day.
I think I first saw The Quiet Man on that day on TV when I was a very young boy. I loved it ever since.
Maybe because I come from the north, I always really rated Odd Man Out, which is a wonderful movie and one of Reed’s masterpieces.
I also have a soft spot for The Gentle Gunman, with Dirk Bogarde and John Mills.
There is John Ford and Ken Loach and then there is everybody else. So my list will stick with everybody else. Your list is excellent, so I neednt repeat any of those titles. There are many more outstanding Irish films, some probably better than my picks, but these ten occurred to me as having stood out or at least left an impression on me over the years.
My Left Foot
The Field
Ryans Daughter
In the Name of the Father
Five Minutes of Heaven
Once
The Committments
The Secret of Kells
The Playboys
A Fistful of Dynamite
also, lest i neglect my disgusting habit of shameless self-promotion, here is a song i wrote with the irish singer david-gwyn jones in dedication to my former dublin sweetheat with whom i spent many memorable nights singing in the irish bars of boston. https://billwhite.bandcamp.com/track/in-the-irish-bars-of-london
Watched The Fugitive last night….great movie and a great list John, thank you
The Quiet Man is a classic indeed Colin 🙂 Thank you for reminding me about Odd Man Out because I do actually watch it during the Saint Patrick’s Day season 🙂 In fact, I just added that to the list and wrote a summary for it. Tell me If you think I did that masterpiece justice in my writing? 🙂 Been a while since I saw The Gentle Gunman. I should rewatch that 🙂
Before I comment on your list Bill, I just added two more films on the list bringing it up to 10 🙂 The titles are Odd Man Out and Duck, You Sucker! (a.k.a. A Fistful of Dynamite) 🙂 I hope I did justice in summing them up 🙂
Wonderful song Bill and no, you are not engaging in “shameless self-promotion” at all 🙂 I always love to listen to your songs and read your work 🙂
Glad that you loved The Fugitive technicallyblue 🙂 Tell me something, were the links the icing on the cake for you? 🙂
i agree with you on the leones. once upon a time in america is my favorite of his, with a fistful of dynamite second. did you see the 154 minute cut? your link is to the 138 duck you sucker cut. that title came from a misunderstanding of english when leone overheard a crew member cuss out another crew member. my third favorite leone movie is one he gave he director credit to Tonino Valerii, although leone’s signature is all over the film. my theory is that leone wanted to direct it but wanted to follow up fistful of dynamite with one upon a time in america he wanted a legacy as an epic director. not one of light comedies.
Bill, the link I posted has a running time of 02:36:52, which equates to 156 minutes and 52 seconds. Was that video the wrong one and yes, I am aware of the different cuts.
Yes, that’s a neat summation of the film’s strengths, John.
I wrote on it myself years ago: https://livius1.com/2011/12/13/odd-man-out/
And I also featured The Gentle Gunman on the site: https://livius1.com/2011/12/10/the-gentle-gunman/
Hope you don’t mind my posting those links, John. Feel free to remove them if so.
You are correct John. My mistake. I was confusing it with the 136 minute version which was the US theatrical release that was the first version I saw.
Gotcha Bill 🙂 Now I will comment on your choices 🙂
Interesting list Bill 🙂 I see three Jim Sheridan titles. All of them are good films btw 🙂
Five Minutes of Heaven is an interesting one and Once is magical 🙂 The Commitments is rhythmic 🙂 I have not seen The Secret of Kells, but that will change very soon 🙂 Same thing goes for The Playboys, I will check that one out too 🙂 As you probably know, we both agree on A Fistful of Dynamite 🙂
Interesting story Bill regarding the title origin for Duck, You Sucker! 🙂 As for the Tonino Valerii film, that one was My Name Is Nobody 🙂 Once Upon a Time in America is so masterful that one wished that Leone could have lived longer to fulfill more projects. As you probably know, one of the films he was going to fulfill was an epic entitled Leningard: The 900 Days 🙂
i cant vouch for the playboys. i saw it when it was released and was enthralled with robin wright. she was so beautiful and the personality she exuded so fetching. was the movie that good? honestly, i dont remember. but it was certainly a memorable movie going experience for me. ryans daughter is the first david lean film i loved since bridge on the river kwai. mainly for that storm sequence, but i also was drawn to the love story, with its shades of madame bovary.
I echo your thoughts on Robin Wright Bill 🙂 I do not know If you knew this, but did you know that John Ford was originally supposed to direct Young Cassidy, but when he became physically ill, famed cinematographer Jack Cardiff took over 🙂
when i saw the butchered theatrical cut of once upon a time in america, my first response was a shock that it was not anamorphic. i wish i had been at the preview at the paris theatre when an audience member shouted “Answer the phone,” a bit of heckling that i consider the movie equivalent of the “Judas” catcall dylan received in england 1966. Reportedly, it was that comment that set the audience laughing that led to the extensive re-edit of the film. I was disappointed with the film at that point, and the restoration was a revelation. also its my favorite morricone score. i cant imagine some of those scenes without the music. My Name is Nobody is among my ten favorite westerns. I like it better than any one of the dollars trilogy. I saw Valerii’s A Reason to Live A Reason To Die as a second feature to the theatrical premiere of peckinpah’s The Killer Elite, and found none of the talent that went into My Name is Nobody in that film, .
An aside, since you dont mind me posting my music here, I am very curious to know your reaction to this song I just did with a London band. I am eager to get an honest opinion of its potential as a Bond theme for the opening credits. https://billwhite.bandcamp.com/track/the-city-that-killed-me-twice
Great list John. As I was scrolling I wondered if Banshees was going to make it and it did at #10. Very good list. I didn’t know Fugitive had the dyed River and one of the only films to feature that. Also didn’t know Michael Mann and Andrew Davis were Chicagoan’s. Very cool, so many films from this list I need to see, which ones you recommend the most?
Andrew Davis or Michael Mann Jim? 🙂
Before I give you a full reply Bill, your site is asking some questions about accepting cookies and I just need to know what you recommend? 🙂
I knew ford directed some of Young Cassidy, but although i admire Cardiff as a cinematographer, I found him a very bad director, so never watched Young Cassidy. I had the same problem with Mister Roberts, which I did suffer through because Ford as credited with the direction, but is nothing like a Ford picture. On some posters for Young Cassidy, Ford is credited as director. Mister Roberts lists Logan and Leroy as well as ford on the posters.
i depends on what you think of cookies. i think they are harmless and easily flushed out when you are cleaning your computer of useless files.
Bill, I just chose to collect the necessary ones 🙂 I listened to the song you wrote and I loved it 🙂
The lyrics that you wrote for The City That Killed Me Twice sound so personal that it is simply too good for a Bond film, but the producers of the OO7 franchise could use it If it was something along the lines of On Her Majesty’s Secret Service or Casino Royale or Skyfall 🙂 David Taro has the perfect vocals. Tell me something, just out of curiosity, do you see this song as autobiographical in any kind of way? 🙂
For me, Jack Cardiff’s best film as a director is 1968’s Dark of the Sun, which is a war film 🙂
Awesome story about your experiences watching Once Upon a Time in America, My Name Is Nobody, A Reason to Live A Reason To Die and The Killer Elite Bill 🙂
all of my songs are autofiction to some degree. if not in things i did or felt, then i ideas i entertained. also, when i collaborate with people, they are my alter-egos. david taro is mastroianni to my fellini. it is interesting that in the dozen or so songs i wrote with him, most of them have some reference to the sea…and the only time i was at sea was when i took a ship from florida to lima peru. i dont know if i told you this, but davids father and uncle were the first songwriters john lennon signed to apple publishing. they had a band called grapefruit (i wonder if beatleypete knows of them) that was only moderately successful. the chorus is the only part of the song in which i truly express myself in an autobiographical way, although it is true that while living outside of memphis, i once drove down elvis presley boulevard but turned around before i got to graceland because the selling of elvis on every corner embarrased me. anyway, i sent a copy of the song to barbara bach, who is in preproduction for a new bond movie in 2026. i doubt whether i will hear back from her. but i think it would be a perfect title song, seeing as both bond and his wife died in previous movies, and now he is coming back even though he said he would not.
I had never heard of Dark of the Sun. Just watched the trailer on youtube and it looks very good. Some of the shots reminded me of Cross of Iron.
Sorry for the late response Bill 🙂 I think that is an interesting way of interpreting things (you comparing Taro to Mastroianni and yourself to Fellini) 🙂 I am sure the two would be flattered 🙂 I had no idea that David’s father and uncle were signed to apple publishing by singer John Lennon 🙂 Fascinating 🙂 As for James Bond, I do hope that Barbara Bach gives you a call back and accepts the song 🙂
Dark of the Sun would fit perfectly on a double bill with either Robert Aldrcih’s The Dirty Dozen or Sam Peckinpah’s Cross of Iron 🙂 But yes, check it out 🙂 The great Martin Scorsese has championed the film, which is not a surprise considering that Jack Cardiff was often associated with Michael Powell and Emeric Pressburger (Marty’s cinematic heroes) – click on the link below 🙂
https://en.wikipedia.org/wiki/Dark_of_the_Sun#Cult
Great list! As I mentioned on my other comment, being in Northern Ireland, Paddy’s Day has never been celebrated here as ‘big’ as it is in the US. It’s a day off work, a day off school, and an excuse for pubs to whack the prices up! Much better to stay in and watch a movie.
Honestly, there aren’t many full blown Irish movies I love. Movies by Irish directors – absolutely. Movies set over here, or filmed over here, sure.
In recent years, some ‘Irish’ movies (made here/Irish directors/based here etc) I’ve enjoyed are:
’71
Oddity
Caveat
Grabbers
A Dark Song
i realize that fellini/mastroianni comparison was pretentious, so ill elaborate on what i mean. i put these collaborative albums together like a book of short stories, and each song is in the narrative voice of an individual character. i choose the singer/musicians in the same way i cast for a play. david taro reminds me of myself in my earlier years, and has the kind of rock and roll energy i used to have (i still have it to a degree but david does it so much better), so in that sense he is to me as mastroianni is to fellinis younger self. in the more poetic and sophisticated songs it may be a bergman-ullman, godard-karina relationships. john ford couldnt play the strong heroes who are the protagonists in many of his movies, but john wayne can,,, so that is the kind of analogy i was going for….then there are my solo albums which are me doing my one man show.
Insightful analysis Bill 🙂 Btw, I do not think that you are pretentious at all 🙂
hey john. if you are free tomorrow (friday the 21st) at noon, stop by to my listening party for my new album. its a short one, a little less than half an hour. i dont expect many will show up as ive done no promotion, but i automatically have these for new releases. there is an open chat where we can write to each other while the album plays. people usually make comments and ask questions. they are usually well attended during the months when im actively involved in collaborative efforts, but in these off months when i just work alone, i sometimes am the only person present at the listening party. so stop by if you are free and feel up to it. try either of these two links. https://billwhite.bandcamp.com/album/movement-and-rest
https://billwhite.bandcamp.com/merch/movement-and-rest-listening-party
Nice list Carlosnightman 🙂 I got to check out some of these because I have first heard about them now 🙂 Grabbers sounds like it does for monster movies what Shaun of the Dead did for zombie movies 🙂
Thanks Bill 🙂 I am not sure If I will can visit the blog at the time you want, but I will go and visit it tomorrow to see If I can listen to what I miss 🙂 Since you live in Florida, I assume it would be 11 am central time (I live in Illinois) 🙂
Grabbers is fun, but I always recommend 71 as an underrated, action/thriller
Gotcha carlosnightman 🙂
yes. 11am… Illinois. you can hear the album any time. but the 11am listening party will be live and we can chat while listening. other wise, i an curious as to what you think of the album. i think of each one as some great departure from the last, but they probably, in reality, all sound the same.
I can’t argue with any of your selections, John. All of them are fine films. (Haven’t seen The Wind that Shakes the Barleys or Barry Lyndon. )
I’ll use your list (if I may) and add to it State of Grace, Shadow of Violence and The Guard.
State of Grace is very good 🙂 Shadow of Violence and The Guard are ones that I need to catch up on Pam 🙂 Thanks for the recommendations 🙂
wonderful selection. I’ll try to remember it next year for Saint Patrick’s Day.
Thanks, I am glad that you enjoyed it 🙂