Please forgive me dear readers, but my Moviedrome Monday entry for today has been postponed for tomorrow. A few hours after I completed what was going to be this week’s entry, fellow reader Steve kindly reminded me that that Moviedrome episode was a double-bill 🙂 Since I love to be as accurate as possible 🙂, I decided to delete that other blog entry and revise it for tomorrow, so it has both of the films on there like the original episode did 🙂 Once again, please forgive my unintended error and I shall post it for all of you to see by midnight Tuesday 🙂
P.S. thank you once again Steve for pointing this out to me 🙂 My revision should be be ready for reading by midnight Tuesday (US time) 🙂
There will be no Moviedrome Monday entries tomorrow, next Monday and the Monday after. I am taking a break from this blog. Do not worry though, I will return with new blog entries (including that of new Moviedrome Monday entries) on Sunday July 25, 2021 🙂
Moviedrome Mondays will resume next week 🙂 Until then, I would like to wish all of my dear readers a Happy Easter 🙂
No Moviedrome Monday entry this week, but do not worry, I will be back next week with a new one as always 🙂
To Steve: I would like to sincerely apologize to you for hurting your feelings in regards to those two Moviedrome videos you uploaded. Though it was unintentional on my part, I truly feel sorry for any pain I may have caused you. Please do not delete your videos because I love watching any Moviedrome youtube video regardless of quality. When I used the word lousy to describe them, I assumed you felt the same. Nevertheless, your hard work in getting those videos together was far from it. In fact, you deserve high praise from me and everybody else for your hard work. You are also right in your implications that when that rare Moviedrome video is uploaded, it offsets any shortcomings. Please re-upload your videos because I do love watching them regardless of quality. I did not intend to use the word lousy in extreme terms (personally, I do not think any thing about it is lousy). Nevertheless, words can hurt and people can look at what I say in a different light. Please do not delete your two Moviedrome videos because I really do love them. I am glad that you enjoyed looking at my Moviedrome Monday blog entries, please continue to do so. If not, I will not hold it against you, but I do want to let you know that I am truly sorry for any hurt I may have caused you.
To My Readers: The above apology letter was in regards to the blog entry regarding the Moviedrome Monday double bill entry of Hell’s Angels on Wheels and Rumble Fish (read here). When I linked to the youtube videos of Alex Cox introducing both films, I used the word lousy to describe the audio and quality of it. The word lousy to describe both videos have since been removed by me, but I think it may have played a significant role in Steve’s (the uploader of the videos) deletion of them. At the time, I assumed that he probably felt the same way – in other words, I was with him in thinking better this than nothing. Sadly, Steve mistook it as a harsh criticism and I feel responsible for his removal of the videos. Personally, I could care less about the audio and quality of the videos and like him (and hopefully you dear readers), I love any Moviedrome video regardless of audio and quality. Steve’s efforts took a lot of hard work and I sold him short. Of course that was not intended, but he mistook it as such. Right now, Steve feels hurt and I partly need the help of all of you readers. First off, as with Steve, I owe all of you dear readers a huge sincere apology and second, I do not want to hurt my relationship with him or any of you. I do not know If this idea will work, but I want all of you readers to try and encourage Steve to re-upload his Moviedrome youtube videos by leaving this reply in my comment box below. The letters are in bold.
Steve, we truly appreciate all your hard work in uploading whatever Moviedrome videos you can put together on youtube. Please do not delete them, all of us could care less about audio and quality. Your hard work always pays off.
There will be no Moviedrome Monday entries this week because I feel like I need to relax a bit, but never fear dear readers, I will be back with a new one for Monday, July 27, 2020 🙂 Have a great week my dear readers 🙂
Moviedrome Mondays will resume next Sunday – I was so busy with Easter that I just hadn’t had the time to prepare, but do not worry, I will be back with a new one next Sunday 🙂 I hope all of my dear readers had a Happy Easter as well 🙂
P.S. my Wednesday post might interest all of you – read the link here 🙂
I am very pleased that most (If not all) of my regular readers were able to comment on my two blog entries relating to actress Kim Cattrall’s Criterion title choices (read here and here) and how it related to my number one favorite Robert Altman film. Since I asked all of you for your opinions, I sincerely feel that it is only fair If I give my opinions on not only her Criterion picks, but also what she says as a whole in the video. Nevertheless, allow me to divide my thoughts into two categories. The first will cover what films she picked from the Criterion closet and the second towards my extra thoughts.
1.) Heaven Can Wait (1943) (Dir: Ernest Lubitsch)
I too love Ernst Lubitsch like she does. One of these days when I update my blog entry of my favorite Lubitsch films, I will place Heaven Can Wait at number 2 or something. This was Lubitsch’s first Technicolor film and it is most certainly a marvel. A shame that Lubitsch could not have lived longer – it would have been interesting to see how often he would have shot in Technicolor. That Lady in Ermine would have been his second had he not died during production – director Otto Preminger ended up finishing it. Read here for my favorite Ernst Lubitsch films.
2.) Fanny & Alexander (1982) (Dir: Ingmar Bergman)
Though I still consider Persona (also a Criterion title) to be my number one favorite Ingmar Bergman film, I do love Fanny & Alexander as well and yes, it can be viewed as (among other things) an examination of the major changes that happens in a family when an immediate member of it dies. Cattrall sums it up better in that video than I do here 🙂 In case, anyone is interested in what I consider to be my favorite Bergman films, read here. Also, I highly recommend blogger Mitchell’s invaluable guide to the aforementioned director from five years back in 2014 (read here). Read here for my favorite Ingmar Bergman films.
3.) Cat People (1942) (Dir: Jacques Tourneur)
I would be interested in hearing what she loves about this masterful horror film since she did not really delve much into it here. In fact, I wrote a review of it last year on this site (read here). Read here for my favorite Jacques Tourneur films.
4.) Limelight (1952) (Dir: Charlie Chaplin)
I adore Charlie Chaplin’s sound films as much as his silent work and Limelight ranks high up there. I probably would have chosen 1931’s City Lights (another Chaplin title in The Criterion Collection), but all of Chaplin’s work is perfect. Read here for my favorite Charlie Chaplin films.
5.) The Complete Jacques Tati (1949-1974)
Considering that this box-set includes all of Jacques Tati’s work – and I think all of his short films – nobody could go wrong with this choice. Read here for my favorite Jacques Tati films.
6.) A Taste of Honey (1961) (Dir: Tony Richardson)
Admittedly, director Tony Richardson’s films have not aged well – though I still love The Border. Nevertheless, A Taste of Honey and Tom Jones are films that I greatly admire If no longer adore. Still, I do agree with Cattrall that actress Rita Tushingham was fantastic in the former.
7.) Tom Jones (1963) (Dir: Tony Richardson)
Read number 6.
8.) Nashville (1975) (Dir: Robert Altman)
I love this film for the exact reasons Cattrall states in the video link. Not since Jean Renoir’s The Rules of the Game, has an ensemble piece been this thought-provoking. By now, everybody is probably aware that I just love this film, so once again, read my review right here. Read here for my favorite Robert Altman films. Also, read here for me and fellow blogger Cindy Bruchman’s piece of Altman from a month ago.
9.) Jules and Jim (1962) (Dir: Francois Truffaut)
Anyone who read my blog entry regarding my favorite Francois Truffaut films (read here) is probably well aware that I rank this one very highly. With all that said, I laughed out loud when Cattrall cited Jules and Jim as her first three-way 🙂 What made it funnier is that she said it with a gentle voice 🙂
10.) Repulsion (1965) (Dir: Roman Polanski)
She chose my second favorite Polanski film (the first is Chinatown of course). Interesting bit of trivia: she actually has a supporting role in Polanski’s 2010 thriller The Ghost Writer. Read here for my favorite Roman Polanski films.
11.) Bicycle Thieves (1948) (Dir: Vittorio De Sica)
I would have loved to have heard her thoughts on Bicycle Thieves since it is an undisputed classic of world cinema. Read here for my favorite Vittorio De Sica films.
12.) Sullivan’s Travels (1941) (Dir: Preston Sturges)
I hope The Miracle of Morgan’s Creek gets the Criterion treatment one day, and while The Lady Eve and The Palm Beach Story rank higher for me (the last two are Criterion titles), I do love Sullivan’s Travels a lot. As with other fans of the film (including Cattrall herself), one’s love of it stems from it’s plot of someone who yearns for significance, but in the end, learns that humor has a way of impacting people as well. Read here for my favorite Preston Sturges films.
13.) Wanda (1970) (Dir: Barbara Loden)
I love Wanda every bit as much as Cattrall does. Nevertheless, I can’t do justice here in describing her insightful words on it – just watch the video link.
What I really found interesting about the video was Kim Cattrall’s background concerning her love of films. As anybody who watched the video is aware, Cattrall’s mother was an usherette at a movie theater and she may have influenced Kim in a significant way. Once again, here is that Criterion Collection video link below.
I wanted to follow-up on my blog entry from yesterday (read here) with something that involves a little more creative participation on the part of my readers. Nevertheless, participation on the part of the reader is optional here and you do not have to participate If you do not want to. After all, just look at the title of this blog entry 🙂 Now some of my readers (that is If you decide to take part in this) may not have seen any of the Criterion titles that actress Kim Cattrall picks out here, but If you have seen them, let me know in the comment section below what your favorite choices of hers are. Also, what aspects of the video came off as the most interesting to you? Once again, here is that Criterion video link I showed you all yesterday.
Though I have never really made it known on here, I am a regular visitor to The Criterion Collection website. I mostly visit there to see what interesting new release will await me for that month and whether or not it is a film I love so much that I will buy. And yes, I own a lot of Criterion Blu-Rays/DVD’s 🙂 But that is beside the point. Any frequent visitor to that site is probably aware by now of their Closet Picks series, which consists of both high and low-profile celebrities being honored the luxury of choosing whatever Criterion title they want to take home with them. Of course, their is probably a limit to the number of Blu-Rays/DVD’s that they can take 🙂 As to whether or not they are supposed to keep them, I am not sure. Well, in one of the most recent entries, actress Kim Cattrall (yes that Kim Cattrall) was given access to the closet to choose a limited number of Criterion titles (that she loves) to take home with her either permanently or temporarily. Again, I am not sure If it is the former or the latter. Although I loved all of her choices, the one that made me the most happy was her pick of director Robert Altman’s Nashville. As many of my loyal readers know, two weeks back, I collaborated with blogger Cindy Bruchman on a blog entry regarding our top 3 favorite Altman films (read here) and Nashville was my number one favorite Altman film. In the link to the video below, she starts talking about it at the 1:39 point. And If you saw the film, here is a link to my review for it.