• About Me
  • John Charet’s Favorite Westerns
  • My 233 Favorite Directors of All-Time (Alphabetical Order)

cinematiccoffee

~ Fine Conversations About Cinema

cinematiccoffee

Tag Archives: Evil Dead II

My Favorite Sam Raimi Films

27 Wednesday Jun 2018

Posted by John Charet in 1980's Cinema, 1990's Cinema, 2000's Cinema, 2010-Present Cinema, Action, Adventure, American Cinema, American Filmmakers, Cable/Television, Cinema, Comedy, Fantasy, Film Directors, Greatest, Horror, Lists, Sam Raimi, Science Fiction, Thriller, Top 304

≈ 3 Comments

Tags

Army of Darkness, Ash vs Evil Dead (El Jefe) (Cable Series), Darkman, Drag Me to Hell, Evil Dead II, Spider-Man 2, The Evil Dead 1981

* * * * (Out of * * * *)

1.   Evil Dead II (1987)

2.   The Evil Dead (1981)

3.   Ash vs Evil Dead (2015)
3a. Episode: “El Jefe”
(Cable/Television)

4.   Spider-Man 2 (2004)

5.   Drag Me to Hell (2009)

6.   Army of Darkness (1992)

* * * 1/2 (Out of * * * *)

1.   Darkman (1990)

My Top 10 Favorite Horror Films of All-Time

30 Wednesday Oct 2013

Posted by John Charet in 1930's Cinema, 1940's Cinema, 1960's Cinema, 1970's Cinema, 1980's Cinema, American Cinema, American Filmmakers, Austrian Filmmakers, British Filmmakers, Canadian Filmmakers, Comedy, Edgar G. Ulmer, Film Directors, French Filmmakers, George A. Romero, Greatest, Horror, Italian Cinema, Italian Filmmakers, Jacques Tourneur, James Whale, Lists, Mario Bava, Mystery, Sam Raimi, Science Fiction, Thriller, Top 10, William Friedkin

≈ 6 Comments

Tags

Bride of Frankenstein, Cat People, Dawn of the Dead, Evil Dead II, I Walked with a Zombie, Kill Baby... Kill!, Night of the Living Dead, The Black Cat, The Evil Dead, The Exorcist, The Old Dark House

Google Links

This Halloween I had planned on doing a random list of great horror films for the holiday. However, I came to the conclusion that it would be best to start off with what I consider to be my top 10 favorite horror films of all-time. Obviously, I have more than ten favorites, but I want to limit it to that number since I believe it is the best amount to start at. Maybe next October I will dedicate the whole month to 100 or 50. Or If I can’t do that, I will do a random “10 Great Horror Films” in which I just pick random films in the genre that I gave either * * * * or * * * 1/2 stars to. Since I do not post picture images on this site, I will give links that will take the reader to a google image site providing pages of images for the film I will talk about on each number. Expect to see the link above the film I talk about. For example, you see where it says “Google Links” on the top center, that is where you can go If you want to see images of the film I am talking about. This will take you to a page that shows pages of websites that provide pictures/images of the film for those who are curious about the mentioned film. P.S. I have given all these films on my list * * * * stars (Out of * * * *). Now with all that out of the way, I want to now present to you with what I call:

My Top 10 Favorite Horror Films of All-Time

Google Links

1.) Night of the Living Dead (1968) (Dir: George A. Romero) (USA)
The granddaddy of all zombie films not only ranks somewhere on the list of “My Top 100 Favorite Films of All-Time” but it also happens to be my number 1 favorite horror film of all-time. The plot concerns a small group of people in a small American town trying to defend themselves from flesh eating zombies who once they have bitten you, that person infected will become one of them. Made on a low-budget and shot in grainy black-and-white, the style of the film gives off this documentary-like tone, which makes the proceedings even more disturbing. Add to that, Romero’s pessimistic yet subtle commentary on the political and social upheavals of the 1960’s and you have one of the most apocalyptic horror films ever made.

Google Links

2.) The Old Dark House (1932) (Dir: James Whale) (USA)
Although every single one of them is laced with subtle humor, neither of director James Whale’s horror films have succeeded as pure comedies as clearly as this one.  Blending elements of gothic horror and sophisticated comedy all into one, the result is a unique gem that is unlike any other film in the genre. Stranded during a bad thunderstorm, five travelers seek shelter at a nearby spooky mansion where they encounter all sorts of weird behavior from its inhabitants which includes among other memorable characters the family’s butler (Boris Karloff), a mute alcoholic. Taking into account everything I just said, The Old Dark House ranks above the competition as the greatest haunted house movie ever made.

Google Links

3.) Kill, Baby… Kill! (1966) (Dir: Mario Bava) (Italy)
Mario Bava (1914-1980) was one of Italy’s undisputed masters of horror (the other being Dario Argento) and for readers of this site, I personally rank him along with Argento as one of my favorite directors of all-time. What makes Bava so deservedly legendary is that all of his films are primarily known for their amazing use of color and Kill, Baby… Kill! is no exception. The plot concerning a series of murders committed by the ghost of a dead girl takes a backseat towards Bava’s aforementioned use of color. One of many examples include a staircase sequence employing the use of blues, greens and yellows. If I did a list of the best horror films shot in color (and their are many candidates), this one would top the list.

Google Links

4.) Bride of Frankenstein (1935) (Dir: James Whale) (USA)
Bride of Frankenstein is everything a sequel should be and much more. Previously thought dead, Henry Frankenstein (Colin Clive) and his monster (Boris Karloff) end up surviving and this time another mad scientist (Ernest Thesiger) comes along and successfully convinces Dr. Frankenstein to help him build a female mate for the monster. What follows is a monster movie loaded with subtle humor, gothic imagery and even pathos. All of this begs the question as to why is James Whale often labeled the greatest director of the 1930’s Universal Studios horror films? The answer is simple; he expresses pure enthusiasm whenever he is working within this genre and upon viewing, one can sense the high level of joy he infuses in the proceedings.

Google Links      Google Links

5.) The Evil Dead/Evil Dead II (1981/1987) (Dir: Sam Raimi) (USA)
Two for the price of one. Director Sam Raimi’s 1981 low-budget original ranks in my opinion as not only the quintessential cabin-in-the-woods horror film, but it also stands out as one of the greatest directorial debuts in cinematic history as well. His 1987 sequel Evil Dead II flawlessly blends slapstick comedy and graphic violence all into a complete whole and the result is pure madcap fun. The plot of the first film concerns a group of students spending a weekend in a cabin. While there, they come upon a “Book of the Dead” with a tape recorder that plays the translation. Listening to it accidently unleashes the demons in the woods and one-by-one it takes possession of each student. The second film is similar to the first in many ways; the only difference is the other film played out more like a grindhouse flick and this one plays out more like a comedic horror film. Nevertheless, they are both on the same level in terms of greatness and Raimi injects each film with a non-stop level of energy that has rarely been equaled. P.S. anybody who reads this site will also know that I gave Army of Darkness     * * * * stars (Out of * * * *).

Google Links

6.) The Black Cat (1934) (Dir: Edgar G. Ulmer) (USA)
Inarguably the first and best of the Boris Karloff/Bela Lugosi collaborations for Universal Studios. Amid his quest to avenge the death of his wife at the hands of a Satan-worshipping architect/priest (Boris Karloff), a vengeance-crazed psychiatrist (Bela Lugosi) must also save the wife of a newlywed husband by matching wits with the exact same guy, who plans to sacrifice her in a satanic ritual. Armed with a big budget, director Edgar G. Ulmer takes full advantage of his past experiences in art-direction ( 1927’s Sunrise) and gives us a horror film that conjures up imagery and symbolism worthy of German Expressionism at its best. Legendary horror film icons Boris Karloff and Bela Lugosi are also in peak form as well with the former as a villain and the latter as a hero. The only downside is that it marked one of the very few times in Ulmer’s career in which he was allowed to work with a Hollywood budget. P.S. although Edgar Allen Poe is mentioned in the opening credits, the plot shares absolutely no similarities to Poe’s short story and is actually meant as an original piece.

Google Links

7.) The Exorcist (1973) (Dir: William Friedkin) (USA)
Adapted from a best-selling novel by William Peter Blatty, The Exorcist truly comes off as one of the (If not The) scariest horror films ever made. The story as everyone knows concerns the efforts of two Jesuit priests (Jason Miller and Max von Sydow) trying to exorcise a demonic spirit out of the body of a young innocent girl (Linda Blair) after her actress mother (Ellen Burstyn) tries everything she knows to help her. Known for employing documentary-like techniques, director William Friedkin scares us out of our minds not so much with the icky special effects ( i.e. the spewing of green vomit), but with the quieter scenes like the early behavior of the girl during the early stages of demon possession as well as the medical examinations that follow. Everything is superbly chilling here; from everything I just mentioned to the film’s use of locations to the utilizing of darkness and light (most notably the film’s poster image which is a scene in the film). Last but not least let us not forget the brief but effective use of Mike Oldfield’s “Tubular Bells” music which is often associated with this film.

Google Links

8.) Cat People (1942) (Dir: Jacques Tourneur) (USA)
Cat People is the first of nine horror films produced by Val Lewton for the prestigious RKO Studios and it is also quite a unique one at that. An American man (Kent Smith) falls in love with and marries a mysterious Serbian woman (Simone Simon), who fears she will turn into a panther If sexually aroused. On paper, this sounds like B-movie material, but in execution it is more than meets the eye. Director Jacques Tourneur (son of his filmmaker father Maurice) focuses on atmosphere rather than cheap thrills; one of many good examples is his decision of never presenting to the viewer what the monster looks like. Among Tourneur’s other skills lies his frequent use of light and shadow to emphasize the influence of German Expressionism. Credit should also be given to the lead actress of the film Simone Simon, who plays the femme fatale with a considerable amount of pathos and sensuality. Another thing to think about is the story penned by DeWitt Bodeen; psychoanalysis as a fad was in it’s infancy in 1942 and the main character’s aversion to intimacy in the film can arguably be seen as a social commentary on sexual repression.

Google Links

9.) Dawn of the Dead (1978) (Dir: George A. Romero) (USA)
If “The Godfather Trilogy” serves as the definitive statement on the gangster film than George A. Romero’s “Dead Films” serve as their artistic equivalent in terms of the zombie sub-genre. This time, we have four people; two SWAT team members, one traffic reporter and his newsroom executive girlfriend. All together, they take shelter in a Philadelphia mall to defend themselves from the overpopulating zombies that have basically taken over Earth. Where the original film was shot in black-and-white, this one is shot in Technicolor and Makeup artist Tom Savini delivers the goods with his awesome display of blood and gore. Aside from being an undisputed master of horror, director/writer George A. Romero also knows a thing or two about social commentary and even humor. Released in 1978, this one could best be described as a critique of consumerism when one considers that zombies are roaming the mall as well as when our heroes begin overbuying to survive. The result is a true horror masterpiece that is both cynical and humorous.

Google Links

10.) I Walked with a Zombie (1943) (Dir: Jacques Tourneur) (USA)
Based very loosely on Charlotte Bronte’s Jane Eyre and blending it with a story set in The West Indies, I Walked with a Zombie is without a doubt the most visually exquisite and richly fascinating of the nine RKO Studios horror films produced by Val Lewton. The plot has a young Canadian nurse (Frances Dee) vacationing in the West Indies to care for the wife of a plantation owner (Tom Conway), who seems to be in a zombie-like state as a result of severe tropical fever. Destined to heal her, the nurse thinks a voodoo (courtesy of a voodoo ceremony) might be the cure. As with Cat People, director Jacques Tourneur highlights the atmosphere with his utilization of light and shadow and here it gives the overall tone of the film a hazy dream-like quality. Although the source material came from an article written by Inez Wallace for “American Weekly Magazine“, Lewton reportedly disliked it and asked the screenwriters of the film (Curt Siodmak and Ardel Wray) to use the aforementioned Eyre as the source material instead. Either way and I am being highly complimentary here, it stands out as the most literary of all zombie films.

13 Great Horror Films for Halloween

01 Thursday Nov 2012

Posted by John Charet in 1930's Cinema, 1940's Cinema, 1960's Cinema, 1970's Cinema, 1980's Cinema, 2010-Present Cinema, Greatest, Horror, Lists

≈ 2 Comments

Tags

Dead of Night, Evil Dead II, Island of Lost Souls, Kill Baby... Kill!, Martin, Near Dark, Psycho, Re-Animator, Shivers, The Black Cat, The Cabin in the Woods, The Old Dark House, Vampyr

I originally had completed this yesterday, which is when I was originally going to post it, but I got caught up with other things. Anyway, for fun, here is a list of 13 great horror films to watch for Halloween in alphabetical order:)

1.     The Black Cat (1934)

2.     The Cabin in the Woods (2011)

3.     Dead of Night (1945)

4.     Evil Dead II (1987)

5.     Island of Lost Souls (1932)

6.     Kill, Baby… Kill! (1966)

7.     Martin (1977)

8.     Near Dark (1987)

9.     The Old Dark House (1932)

10.   Psycho (1960)

11.   Re-Animator (1985)

12.   Shivers  (1975)

13.   Vampyr (1932)

Recent Posts

  • Week Off
  • Moviedrome Mondays: Invasion of the Body Snatchers (1978) and Romance of a Horsethief (1971)
  • My Favorite William Wyler Films
  • Moviedrome Mondays: Cry-Baby (1990) and Lenny (1974)
  • Moviedrome Mondays: The Hill (1965)

Archives

  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • December 2017
  • October 2017
  • September 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • April 2015
  • November 2014
  • March 2014
  • October 2013
  • September 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • December 2012
  • November 2012
  • October 2012

Categories

  • 1920's Cinema
  • 1930's Cinema
  • 1940 Comedies
  • 1940's Cinema
  • 1950's Cinema
  • 1960's Cinema
  • 1970's Cinema
  • 1980's Cinema
  • 1990's Cinema
  • 2000's Cinema
  • 2010-Present Cinema
  • 2020 Cinema
  • Abbas Kiarostami
  • Abel Gance
  • Action
  • Adventure
  • African American Cinema
  • African American Filmmakers
  • Agnes Varda
  • Akira Kurosawa
  • Alain Resnais
  • Alan Clarke
  • Alan Rudolph
  • Albert Brooks
  • Alex Cox
  • Alexander Mackendrick
  • Alfonso Cuaron
  • Alfred Hitchcock
  • Alfred L. Werker
  • Algerian Cinema
  • American Actors
  • American Cinema
  • American Film Critics
  • American Filmmakers
  • Andre De Toth
  • Andre Techine
  • Andrei Tarkovsky
  • Andrzej Wajda
  • Animation
  • Anime
  • Anthology
  • Anthology Films
  • Anthony Mann
  • Apichatpong Weerasethakul
  • Arabic Cinema
  • Argentine Filmmakers
  • Armenian Cinema
  • Arthur Penn
  • Atom Egoyan
  • Australian Cinema
  • Australian Filmmakers
  • Austrian Cinema
  • Austrian Filmmakers
  • B Cinema
  • Bela Tarr
  • Belgian Cinema
  • Belgian Filmmakers
  • Ben Wheatley
  • Bernardo Bertolucci
  • Bill Forsyth
  • Billy Wilder
  • Biography
  • Black Comedies
  • Bob Fosse
  • Bong Joon-ho
  • Box Sets
  • Brad Bird
  • Brazilian Cinema
  • Brian De Palma
  • Brian Taylor
  • British Cinema
  • British Filmmakers
  • Bruno Dumont
  • Budd Boetticher
  • Buster Keaton
  • Cable/Television
  • Canadian Cinema
  • Canadian Filmmakers
  • Carl Theodor Dreyer
  • Carlos Reygadas
  • Chantal Akerman
  • Charles Burnett
  • Charlie Chaplin
  • Chicago
  • Chinese Cinema
  • Chinese Filmmakers
  • Chris Marker
  • Christopher Guest
  • Christopher Nolan
  • Christy Lemire
  • Cinema
  • Claire Denis
  • Claude Chabrol
  • Clint Eastwood
  • Comedies
  • Comedy
  • Compilation
  • Compilations
  • Concert Films
  • Crime
  • Crime Films
  • Cristian Mungiu
  • Cuban Cinema
  • Curt Oertel
  • Czech Cinema
  • Czech Filmmakers
  • D.W. Griffith
  • Damien Chazelle
  • Danish Cinema
  • Danish Filmmakers
  • Dario Argento
  • Dariush Mehjui
  • David Cronenberg
  • David Lowery
  • David Lynch
  • David O. Russell
  • Denis Villeneuve
  • Derek Jarman
  • Discussions of Cinema
  • Docufiction
  • Documentaries
  • Documentary
  • Documentary Shorts
  • Dolly Parton
  • Don Siegel
  • Douglas Sirk
  • Drama
  • Dusan Makavejev
  • Dutch Cinema
  • Dutch Filmmakers
  • Edgar G. Ulmer
  • Edgar Wright
  • Edmund Goulding
  • Elaine May
  • Elia Kazan
  • English Filmmakers
  • Epics
  • Eric Rohmer
  • Erich von Stroheim
  • Ernst Lubitsch
  • Errol Morris
  • Ethan Coen
  • Expressionism
  • F.W. Murnau
  • Family
  • Fantasy
  • Federico Fellini
  • Film Directors
  • Film Noir
  • Finnish Cinema
  • Forbidden Season
  • Francesco Rosi
  • Francis Ford Coppola
  • Francois Truffaut
  • Frank Borzage
  • Frank Capra
  • Frank Tashlin
  • Fred C. Newmeyer
  • French Cinema
  • French Filmmakers
  • Fritz Lang
  • G.W. Pabst
  • Gangster Films
  • Gaspar Noe
  • Gene Kelly
  • Gene Siskel
  • George A. Romero
  • George Abbott
  • George Miller
  • George Stevens
  • Georges Melies
  • German Cinema
  • German Filmmakers
  • Gillo Pontecorvo
  • Greatest
  • Greek Cinema
  • Greek Filmmakers
  • Guest Entries
  • Guillermo del Toro
  • Guy Maddin
  • Harold Lloyd
  • Hayao Miyazaki
  • Henri-Georges Clouzot
  • Henry Selick
  • Hirokazu Koreeda
  • History
  • Hong Kong Cinema
  • Hong Kong Filmmakers
  • Horror
  • Hou Hsiao-hsien
  • Howard Hawks
  • Hungarian Cinema
  • Hungarian Filmmakers
  • Icelandic Cinema
  • Ignatiy Vishnevetsky
  • Indian Cinema
  • Indian Filmmakers
  • Indo Canadian Filmmakers
  • Ingmar Bergman
  • Iranian Cinema
  • Iranian Filmmakers
  • Irish Cinema
  • Italian Cinema
  • Italian Filmmakers
  • Jacques Becker
  • Jacques Demy
  • Jacques Rivette
  • Jacques Tati
  • Jacques Tourneur
  • Jafar Panahi
  • James Whale
  • Jan Svankmajer
  • Jan Troell
  • Jane Campion
  • Japanese Cinema
  • Japanese Filmmakers
  • Jared Hess
  • Jean Cocteau
  • Jean Renoir
  • Jean-Luc Godard
  • Jean-Pierre Melville
  • Jerry Lewis
  • Jia Zhangke
  • Jim Jarmusch
  • Joe Dante
  • Joel and Ethan Coen
  • Joel Coen
  • John Carpenter
  • John Cassavetes
  • John Ford
  • John Frankenheimer
  • John Huston
  • John Landis
  • John M. Stahl
  • John Schlesinger
  • John Waters
  • John Woo
  • Johnny Mathis
  • Jonathan Demme
  • Jordan Vogt-Roberts
  • Josef von Sternberg
  • Joseph H. Lewis
  • Joseph L. Mankiewicz
  • Jules Dassin
  • Juzo Itami
  • Kathryn Bigelow
  • Keisuke Kinoshita
  • Kelly Clarkson
  • Kelly Reichardt
  • Ken Loach
  • Ken Russell
  • Kenji Mizoguichi
  • Kenneth Anger
  • Kim Jee-Woon
  • King Hu
  • King Vidor
  • Kon Ichikawa
  • Korean Cinema
  • Korean Filmmakers
  • Krzysztof Kieslowski
  • Larry Cohen
  • Lars von Trier
  • Leo McCarey
  • Leos Carax
  • Lina Wertmuller
  • Lists
  • Louis Feuillade
  • Louis Malle
  • Luchino Visconti
  • Luis Bunuel
  • Lynne Ramsay
  • Manoel de Oliveira
  • Marcel Carne
  • Mario Bava
  • Mark Neveldine
  • Mark Robson
  • Martin Scorsese
  • Masaki Kobayashi
  • Max Ophuls
  • Mel Gibson
  • Mexican Cinema
  • Mexican Filmmakers
  • Michael Cimino
  • Michael Powell and Emeric Pressburger
  • Michaelangelo Antonioni
  • Michel Gondry
  • Mike Leigh
  • Mikio Naruse
  • Miklos Jancso
  • Milos Forman
  • Miniseries
  • Mockumentary
  • Mohsen Makhmalbaf
  • Monte Hellman
  • Moviedrome
  • Music
  • Music Videos
  • Musical
  • Musicals
  • Mystery
  • Neo Noir
  • New Zealand Cinema
  • New Zealand Filmmakers
  • Nicholas Ray
  • Nick Park
  • Nicolas Roeg
  • Noah Baumbach
  • Norwegian Cinema
  • On the Side
  • Orson Welles
  • Otto Preminger
  • Ousmane Sembene
  • P.J. Hogan
  • Park Chan-wook
  • Paul Mazursky
  • Paul Thomas Anderson
  • Paul Verhoeven
  • Pedro Almodovar
  • Performance Film
  • Peter Bogdanovich
  • Peter Jackson
  • Peter Watkins
  • Phil Karlson
  • Philip Kaufman
  • Pier Paolo Pasolini
  • Pierre Etaix
  • Polish Cinema
  • Polish Filmmakers
  • Portuguese Cinema
  • Portuguese Filmmakers
  • Pre-1920's Cinema
  • Preston Sturges
  • Quentin Tarantino
  • Rainer Werner Fassbinder
  • Raoul Walsh
  • Religious
  • Remakes
  • Rene Clair
  • Richard Fleischer
  • Richard Lester
  • Richard Linklater
  • RIchard Roeper
  • Robert Aldrich
  • Robert Altman
  • Robert Bresson
  • Robert J. Flaherty
  • Robert Lyford
  • Robert Wise
  • Roberto Rossellini
  • Roger Ebert
  • Roman Polanski
  • Romance
  • Romanian Cinema
  • Romanian Filmmakers
  • Roy Andersson
  • Russ Meyer
  • Russian Cinema
  • Russian Filmmakers
  • Sam Peckinpah
  • Sam Raimi
  • Sam Taylor
  • Samuel Fuller
  • Samurai Films
  • Satoshi Kon
  • Satyajit Ray
  • Science Fiction
  • Scottish Cinema
  • Scottish Filmmakers
  • Senegalese Cinema
  • Senegalese Filmmakers
  • Sequels
  • Serbian Cinema
  • Serbian Filmmakers
  • Sergei Eisenstein
  • Sergio Corbucci
  • Sergio Leone
  • Sergio Sollima
  • Shohei Imamura
  • Short Cinema
  • Short Film
  • Short Films
  • Sidney Lumet
  • Silent Cinema
  • Slovak Cinema
  • South Korean Cinema
  • South Korean Filmmakers
  • Soviet Cinema
  • Soviet Filmmakers
  • Spanish Cinema
  • Spanish Filmmakers
  • Special Interest
  • Spectacle
  • Spike Jonze
  • Spike Lee
  • Sport
  • Sports
  • Sports Films
  • Stanley Donen
  • Stanley Kubrick
  • Status
  • Stephen Chow
  • Steve James
  • Steven Soderbergh
  • Steven Spielberg
  • Stuart Gordon
  • Student Cinema
  • Surrealism
  • Swedish Cinema
  • Swedish Filmmakers
  • Swiss Cinema
  • Swiss Filmmakers
  • Taiwanese Cinema
  • Taiwanese Filmmakers
  • Takashi Miike
  • Ted Post
  • Television
  • Terence Davies
  • Terrence Malick
  • Terry Gilliam
  • Terry Jones
  • Terry Zwigoff
  • Thai Cinema
  • Thai Filmmakers
  • The Film Club
  • The Quay Brothers
  • Thriller
  • Thrillers
  • Tian Zhuangzhuang
  • Tobe Hooper
  • Todd Solondz
  • Tony Richardson
  • Top 10
  • Top 100
  • Top 101
  • Top 272
  • Top 304
  • Top 305
  • Top 306
  • Top 307
  • Top 308
  • Top 309
  • Top 310
  • Top 312
  • Top 313
  • Top 314
  • Top Directors
  • Tunisian Cinema
  • TV Films
  • Uncategorized
  • Victor Sjostrom
  • Vincente Minnelli
  • Vittorio de Sica
  • Walter Hill
  • War
  • War Films
  • Werner Herzog
  • Wes Anderson
  • West German Cinema
  • Western
  • Westerns
  • William Friedkin
  • Wim Wenders
  • Wong Kar-wai
  • Woody Allen
  • Yasujiro Ozu
  • Yasuzo Masumura
  • Yugoslavian Cinema
  • Zack Snyder

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Blogroll

  • Antagony & Ecstasy
  • Brian Tallerico
  • Chicago Film Discussion Group
  • Collin Souter
  • Combustible Celluloid
  • Criterion Collection
  • Eric Melin
  • Erik Childress
  • Farran Nehme
  • Filmspotting
  • Ignatiy Vishnevetsky
  • Jonathan Rosenbaum
  • Josh Larsen
  • Laura Emerick
  • Mark Dujsik
  • Matt Pais
  • Michael Glover Smith
  • Michael Phillips
  • Michael Wilmington
  • Nick Digilio
  • Peter Sobcynski
  • Ray Pride
  • Richard Roeper
  • Roger Ebert
  • Susan Doll
  • The Criterion Collection
  • The Dissolve

Create a free website or blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy