* * * * (Out of * * * *)
1. Overlord (1975)
2. Little Malcolm (1974)
3. The Disappearance (1977)
* * * * (Out of * * * *) (Short Cinema)
1. A Test of Violence (1970)
(Documentary Short)
* * * * (Out of * * * *)
1. Overlord (1975)
2. Little Malcolm (1974)
3. The Disappearance (1977)
* * * * (Out of * * * *) (Short Cinema)
1. A Test of Violence (1970)
(Documentary Short)
Since I could not find a youtube video link of Moviedrome presenter Alex Cox introducing legendary Japanese filmmaker Akira Kurosawa’s 1961 undisputed Samurai classic Yojimbo, readers will have to make do with Cox’s intro transcript (read here). The episode’s original airdate was July 29, 1990 (read here). Cox perfectly sums up everything about why this film is a masterpiece. In addition, I too will say that as much as I loved director Sergio Leone’s A Fistful of Dollars – the iconic Italian 1964 spaghetti western remake – Yojimbo (the original) still ranks as the best.
Here is a youtube video link to the film’s original theatrical trailer
* * * * (Out of * * * *)
1. Roma (2018)
2. Gravity (2013)
3. Children of Men (2006)
4. Y Tu Mama También (2001)
* * * 1/2 (Out of * * * *)
1. A Little Princess (1995)
* * * * (Out of * * * *)
1. Performance (1970)
(co-directed with Nicolas Roeg)
2. White of the Eye (1987)
3. Wild Side (1995)
(Director’s Cut)
(I watched it online)
4. Demon Seed (1977)
I have posted a youtube video link below to Moviedrome presenter Alex Cox’s introduction to director John Landis 1981 horror classic An American Werewolf in London. My readers can also read Cox’s transcript here. The episode’s original airdate was July 22, 1990 (read here). Though I greatly admire Joe Dante’s The Howling and Michael Wadleigh’s Wolfen (also from that aforementioned year), I greatly adore An American Werewolf in London, which towers above them all as the best of the bunch. Along with The Howling, it features quite possibly the most spectacular werewolf transformation sequences ever displayed on film – courtesy of makeup effects artist Rick Baker. Last, but not least, Landis blending of comedy and horror here is seamless. Before I post the links, let me borrow a quote from the film to send to you dear readers: keep off the moors, stick to the roads. The best to ya… 🙂
Here is a youtube video link to Alex Cox’s Moviedrome intro to An American Werewolf in London
Here is a youtube video link to the film’s original theatrical trailer
I have posted a youtube video link below to Moviedrome presenter Alex Cox’s introduction to British director Tony Richardson’s 1965 film The Loved One – adapted from the 1948 novel of the same name by celebrated British writer Evelyn Waugh. My readers can also read Cox’s transcript here. The episode’s original airdate was July 15, 1990 (read here). This film version of Waugh’s aforementioned book hits and misses for the very same reasons Cox so eloquently states in his intro. I also agree with this very fascinating write-up about the film on the TCM website (read here).
Here is a youtube video link to Alex Cox’s Moviedrome intro to The Loved One (the sound comes on at the 0:15 mark)
Here is a youtube video link to the film’s original theatrical trailer
P.S. the only reason 1969’s Tepepa is not on here is because I have not seen it, but I am hoping it comes to DVD here in the States one day.
Once again, I could not find a youtube video link of Moviedrome presenter Alex Cox introducing director Robert Aldrich’s 1972 underrated revisionist western masterpiece Ulzana’s Raid, so readers will have to rely on the transcript (read here). The episode’s original airdate was July 8, 1990 (read here). Based on what I have read from Cox’s intro, he seems to admire the film as a whole, but with reservations. He is a fan of his films, but Cox seems to come off as a little more reserved on some of his later work (i.e. The Grissom Gang). As for myself, I absolutely adore Ulzana’s Raid – it has a thought-provoking script from the always fascinating late screenwriter Alan Sharp (Night Moves) and, as to be expected, expert direction from Robert Aldrich. As others have implied, the film also works as an insightful allegory to the United States then involvement in the Vietnam War.
Here is a youtube video link to the film’s original theatrical trailer
Since I could not find a youtube video link of Moviedrome presenter Alex Cox’s introduction to one-time director Leonard Kastle’s once rarely shown 1970 lovers-on-the-lam cult item The Honeymoon Killers, readers will have to rely on the transcript (read here). The episode’s original airdate was July 1, 1990 (read here). Along with George A. Romero’s Night of the Living Dead from two years earlier, The Honeymoon Killers has often been cited (and deservingly so) as a genuine cult classic. Shot on a low-budget with black-and-white cinematography that resembles a style similar to that of a documentary, the film’s disturbing true-life subject matter and it’s unglamorous depiction of it (loosely based or otherwise) would arguably influence equally masterful later day entries like director John McNaughton’s 1986 (though first released in 1990) serial killer masterpiece Henry: Portrait of a Serial Killer. Trivia: this serves as the only film that Kastle ever directed and it also reportedly served as French New Wave filmmaker Francois Truffaut’s “favorite American film” (read here).
Here is a youtube video link to the film’s original theatrical trailer
Sorry for posting this a day late – family emergency. I have posted a youtube video link below to Moviedrome presenter Alex Cox’s introduction to director James Cameron’s 1984 seminal sci-fi action classic The Terminator. My readers can also read his transcript here. The episode’s original airdate was June 24, 1990 (read here). Once again, there is nothing more I can add that has already been said about this timeless cinematic gem – except that I personally prefer it to the bigger-budgeted 1991 sequel, which was Terminator 2: Judgment Day. As much as I greatly admire the latter, the earlier film is so tightly executed in every single way that it can’t help but feel subtly unique at the same time. When all is said and done, it makes Terminator 2: Judgment Day (even with all of it’s spectacular special effects) look conventional by comparison.
Here is a youtube video link to Alex Cox’s Moviedrome intro to The Terminator
Here is a youtube video link to one of it’s two theatrical trailers
Here is a youtube video link to the second of it’s two trailers