I have posted a youtube video link to Moviedrome presenter Alex Cox’s intro to director Charles Band’s 1984 sci-fi entry Trancers. The episode’s original airdate was August 13, 1989 (read here). Readers can read his transcript right here. As Cox implies here, Trancers is like a blend between The Terminator and Blade Runner. While by no means a classic, it is undeniably entertaining.
Here is a youtube video link to Alex Cox’s Movidrome intro of Trancers
Here is a youtube video link to the film’s original theatrical trailer
Since I could not find a youtube video link to Moviedrome presenter Alex Cox’s intro to director Monte Hellman’s 1971 cult classic Two-Lane Blacktop, readers will have to make due with a link to his transcript for it (read here). The episode’s original airdate was August 6, 1989 (read here). Not unlike what the owner of Moviedromer.tumblr.com thought, I too disagree with Cox regarding the acting of singers James Taylor and Dennis Wilson (the latter from The Beach Boys). I too think it is just them improvising or making conversation. Nevertheless, I do agree with Cox’s sentiments on the late great Warren Oates (but then again, who wouldn’t?), who co-stars in this film. If you readers are interested in reading my list of my favorite Monte Hellman films, read here.
Here is a youtube video link to the film’s original theatrical trailer
Happy Halloween 2019 everybody. Since I have been so busy lately, I have decided to gather up a large number (though it is not a complete list of horror films I consider to be great) of my favorite horror films from my favorite directors and paste it on here in the alphabetical order of it’s respected director’s last name. Happy Halloween dear readers and enjoy my results below 🙂
What Ever Happened to Baby Jane? (1962) (Dir: Robert Aldrich)
Hush… Hush, Sweet Charlotte (1964) (Dir: Robert Aldrich)
The Skin I Live In (2011) (Dir: Pedro Almodovar)
Images (1972) (Dir: Robert Altman)
Inauguration of the Pleasure Dome (1954) (Dir: Kenneth Anger)
(Short Cinema)
I have posted a youtube video link below to Moviedrome presenter Alex Cox’s intro to legendary French New Wave filmmaker Jean-Luc Godard’s 1965 science-fiction mystery Alphaville. My readers can also read Cox’s transcript here. The episode’s original airdate was July 30, 1989 (read here). Taking into account Raoul Coutard’s black-and-white cinematography and the image of American actor Eddie Constantine as a trenchcoat-clad detective, Alphaville may also be Godard’s way of paying homage to 1940’s film-noir. As usual, Godard manages to say a lot on many things of the film -socio, political or otherwise. Equally impressive is Godard’s reliance on actual locations, as opposed to building futuristic sets. Since modernistic glass and concrete buildings were new at the time (read here), Godard decided to stick with this. Whether it was due to budgetary restraints or not, he managed to make this viewer feel that it was visually convincing dystopian future. If any of you readers are interested in reading my list of my favorite Jean-Luc Godard films, read here.
Here is a youtube video link to Alex Cox’s Moviedrome intro of Alphaville
Here is a youtube video link to (what I believe) was the original theatrical trailer for the French market
Here is a youtube link to (what I believe) is a 2014 revival trailer for the American market
Since I could not find a youtube video link of Moviedrome presenter Alex Cox introducing legendary director-writer Billy Wilder’s 1951 Film-Noir drama Ace in the Hole, my readers will have to make due with a transcript once again (read here). The episode’s original airdate was July 23, 1989 (read here). When it comes to summing up Wilder career as a whole, I do not know If I can go as far as Cox does here in calling him the cinematic equivalent of Vladimir Nabokov. Cox says that he’s completely cynical, without sentimentality, without remorse, and he’s as great a craftsman with film as Nabokov was with words. – well, that depends on what Wilder film he is talking about. This aspect does apply (at least for me) to three of the four Wilder films he mentioned – Sunset Boulevard, this one and Some Like It Hot, but The Apartment contained some unnecessary sentiment. All that being said, Ace in the Hole is undoubtedly Wilder at his most cynical and I rank it somewhere in the top four of my favorite films from him. Also, when it comes to Cox’s closing paragraph on this film, I could not have said what he said any better (read here). If any of you readers are interested in reading my list of my favorite Billy Wilder films, read here.
Here is a youtube video link to the film’s original theatrical trailer
Also, here is a youtube video link to Director/Screenwriter Josh Olson’s Trailers from Hell commentary on the film
Unlike the last few entries, this Moviedrome Monday will not feature a youtube video link to presenter Alex Cox’s introduction to Robert Aldrich’s 1971 period gangster film TheGrissom Gang. The reason for this is because I could not find a youtube video link to it, so my readers will have to rely on his transcript (read here). The episode’s original airdate was July 16, 1989 (read here). Although Cox calls the film efficient, he is not as crazy about it when compared to my reaction. Whereas Cox subtly criticizes it’s use of color, for me, Aldrich and screenwriter Leon Griffiths decision to depict the title characters more as caricatures was more than offset by the vibe that it (and in this case a rarity) came off as fascinating. Interesting pieces of trivia: this is the second Aldrich film to premiere on Moviedrome (the first was …Allthe Marbles – a.k.a. The California Dolls). This is also the second film adaptation of James Hadley Chase’s 1939 novel No Orchids for Miss Blandish – the previous version (a British production btw) came out in 1948 from director St. John Legh Clowes under that aforementioned name. In case you readers missed it, here is a link to my list of my favorite Robert Aldrich films (read here).
Here is a youtube video link to the film’s original theatrical trailer
At the end of this blog entry, I will post a youtube video link of Moviedrome presenter Alex Cox introducing director Thom Eberhardt’s 1984 low-budget science-fiction horror comedy Night of the Comet. My readers can read Cox’s transcript here. The episode’s original airdate was July 9, 1989 (read here). While by no means a great or even very good film, Night of the Comet is throughly enjoyable. I do agree with Cox though that it’s attempts at humor backfires. Nevertheless, the film’s two appealing lead heroines (played here by Catherine Mary Stewart and Kelli Maroney) serve as the glue that holds everything together. For those who have seen this film, try spotting early Cox regular Dick Rude as a mutant Stock Boy. Of similar interest, film director/writer (not to mention comic book writer) Joss Whedon cited this film as an influence (particularly concerning Maroney’s character) regarding the creation of the Buffy Summers character from his own Buffy the Vampire Slayer (both the 1992 film and the 1997-2003 television series). For more information on this, read this 2003 interview from IGN’s UK site (read here).
Here is a youtube video link to Alex Cox’s Moviedrome intro to Night of the Comet
Here is a youtube video link to the film’s original theatrical trailer
At the bottom of this blog entry, I have posted a youtube link to Moviedrome presenter Alex Cox introducing Woody Allen’s 1980 comedy-drama Stardust Memories. You can read his transcript here. The episode’s original airdate was July 2, 1989 (read here). True, Federico Fellini’s 1963 Italian classic 8 1/2Â may have served as a main influence (especially Gordon Willis black-and-white cinematography), but Allen has denied that his own film is similarly autobiographical (read here). His controversial personal life notwithstanding, Allen was an immensely talented director and writer, not to mention comedian, at one time. Since the mid-1990’s though, he became a hit-or-miss director with more examples of the latter. Nevertheless, I could not have stated what Cox says in that last paragraph of his alone, especially concerning the presence of the always lovely and wonderful Charlotte Rampling (read here). If you are interested in reading my list of my favorite Woody Allen films, read here.
Here is a youtube video link to Alex Cox’s Moviedrome intro to Stardust Memories
Here is a youtube video link to the film’s original theatrical trailer
At the end of this blog entry, I will post a youtube video link of Moviedrome Presenter Alex Cox introducing George Lucas 1971 cult science-fiction film THX 1138. You can read Cox’s transcript here. The episode’s original airdate was June 25, 1989 (read here). Although my favorite film directed by George Lucas is still American Graffiti, I do admire  THX 1138 for all of the ideas that Lucas touches upon in his script – even If the results are not always entirely successful. At the very least, it does give us a glimpse of what Lucas would expand upon in his iconic 1977 science-fiction space opera Star Wars.
Here is a youtube video link to Alex Cox’s Moviedrome intro to THX 1138
Here is a youtube video link to the film’s original theatrical trailer
I could not find a youtube video link of Moviedrome presenter Alex Cox introducing Robert Aldrich’s 1981 sports comedy-drama …All the Marbles (a.k.a. The California Dolls); so my readers will have to make due with his transcript (read here). The episode’s original airdate was June 11, 1989 (read here). Not unlike what Cox implies here, If one looked beyond the film’s silly premise – a manager and his female wrestling team (The California Dolls) on the road – you will find a road movie with a lot on it’s mind. While maybe not as memorable as some of the best ones of the period – Monte Hellman’s Two-Lane Blacktop or Wim Wenders Road Movie Trilogy – there is still plenty to admire here. Interesting bit of trivia: 1981’s …All the Marbles was the final film that Aldrich directed – he died two years later in 1983. If any of you readers are interested in reading my list of my favorite Aldrich films, read here.
Here is a youtube link to the film’s original theatrical trailer below